A Digital Air Motion Photogrammetry System on Ghost in the Shell, Wellington, New Zealand (2016)

Ghost in the Shell making-of copyright Paramount Pictures and Amblin Entertainment

About Us

Founded by Dayton Taylor in 1995, Digital Air collaborates with the world's most creative filmmakers, storytellers, designers, and production teams.

In 1994 Dayton invented a system for producing time-independent virtual camera movement in motion pictures and other media and began producing visual effects using arrays of cameras. Dayton's invention was used to produce the “bullet time” visual effects in The Matrix (1999), "universal capture" in The Matrix sequels, and the moving "volumetric video" holograms in Ghost in the Shell (2017).

Following Digital Air's work on Tony Scott’s Déjà Vu (2006), Dayton received the 2007 Saxby Award for achievement in the field of three-dimensional imaging from the Royal Photographic Society in the UK.

Dayton's 1994 prototype sixty lens Timetrack™ film camera is in the permanent collection of the Smithsonian National Museum of American History in Washington, DC.

Dayton's short film Love's Choice (1986, director) is in the permanent collection of the Museum of Modern Art in New York.

Always Innovating

For over 25 years Digital Air has provided custom-made camera array systems on hundreds of television commercials, films and installations around the world.

Our success is a result of the vision of our clients combined with our experience in the creation of complex in-camera visual effects using camera arrays, from previsualization to production to post-production.

Timetrack™ camera test. Dayton Taylor photographed by David Tumblety on Mott Street in New York City in 1994.